USER: "Valara"
MODE OF ENGAGEMENT: Usership translated and interpreted by PPL into Presentation
Location 3C/C3: AFFECTIONATELY TO WHAT AFFECT AFFECTIVELY
USER: "Zhen"
MODE OF ENGAGEMENT: Collaboration
Location 1C/C1: HOW (DE)LIBERATELY HOW TO ARTICULATE AFFECT(S) HOW?
USER: "aranzazu"
MODE OF ENGAGEMENT: Performance of a score made for the User
Location 2C/C2: HOW (AS)(DIS)(EN)(RE)SEMBLING AFFECT(S)?
USER: "raziaisthenameofmycat"
MODE OF ENGAGEMENT: Participation in a system made for the User
Location 2C/C2: HOW (AS)(DIS)(EN)(RE)SEMBLING AFFECT(S)?
USER SCORES:
"Valara"
C: Operating to what affect?
3: affectionately 40%
This is an inquiry into cause
Generating methods for effective anticipation of affects
By charting affects and consequences in formation of methodologies
First, affect somethings with similar attentions
"Zhen"
C: Operating to what affect?
1: deliberately 60%
This is an inquiry into ability
Generating an operation consisting of affective tensions
Using trans-contextual universals
First, hold and carry secret intentions
"aranzazu"
C: Operating to what affect?
2: semblatively 40%
This is an inquiry into ability
Generating causes of multiplicit/unknown affects
By developing a hegemony of interests, desires, and uses
First, staging and framing modes of/for attention
"razaisthenameofmycat"
C: Operating to what affect?
2: semblatively 50%
This is an inquiry into cause
Intending and interpreting affected matters based on intention
Using dramaturgical framing methodologies
First, frame an action as a whole
+++++
Operations as part of opera-of-operations "Embarrassed of the Whole" Phase II