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Lea Bertucci

Ashcan Orchestra, Bertucci and Saunders

Saturday, October 26th 2013

Ashcan Orchestra http://www.ashcanorchestra.blogspot.com/

The ashcan “Orchestra” is simultaneously the work of composer P. Spadine, a large collection of toy and real instruments, and a revolving performance ensemble based in Brooklyn, NY.

Lea Bertucci/Anthony Saunders http://www.brokendiorama.com/

Stopping in near the tail end of the HELLRIDE TOUR OF FIRE - Lea Bertucci and Anthony Saunders perform in duo with bassoon and bowed metal.

$5-15 sliding scale

beer lovingly provided by Brooklyn Brewery

MILES PFLANZ VIDEO SCREENING (w/ Lea Bertucci & Sasha Desree)

Wednesday, February 13th 2013

. . . ★★★ FEBRUARY 4th, 2013 - 8pm-11pm ★★★. . .

★★★★★ MILES PFLANZ VIDEO SCREENING ★★★★★

. . .. . .. . .. . .. . . .. . FEATURING . . .. . .. . .. . .. . .

♫♪♫♪ music from lea bertucci at intermission ♫♪♫

♪♫♪♫ music from sasha desree after screenin ♫♫♪

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90 minutes of... ████▓▒░░ VIDEOS OLD AND NEW ░░▒▓███

. . . . . . . . . m train fantasies, youtube realities . . . . . . . . . . . . . . . . . . . . . . . .

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featuring: → COLLABORATIONS FROM FAR AND WIDE ← including some w/ laura bluer, jane chardiet, magda k. motiv-a, alex ryan, and elinor thompson ☼☼☼☼☼☼☼☼☼☼☼☼☼☼☼☼☼☼☼☼☼☼☼☼

ABOUT MILES PFLANZ Miles Pflanz survives on hot sauce on the edge of Bushwick pointing a Hi8 here and there and curating at Fitness Center for Arts and Tactics. Drawing on the aesthetics of Jackass and internet porn, home video of the 1990's, and performance art of the last century, Pflanz's work combines public action (dragging meat to Riker's Island, going through garbage in search of clothes) with conceptual performance (stretching barbed wire through the audience, nailing fruit to a wall) and disturbingly well-planned and executed cinematography. PPL present a night of Pflanz's work, including the cult hit "Savage Necessities."

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Sponsored by the Brooklyn Brewery

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. . . . .,¡i|¹i¡ ¡i¹|i¡,. . . . . . . . . . . . . . . . . . .

. . . . . . . . .. . . . . . . . . `"¹li¡|¡|¡il¹"`. . . .

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