Ellen Mueller

INCEN•DIARIO is an ongoing, traveling event series of both live and video performance art. The curation process includes an open call and select commissioned works. Each exhibition features pieces that communicate labour and physical struggle as a gateway to fantasy and the fantastic. In an art/youth culture that largely tends to veer away from politically-charged and activist work, INCEN•DIARIO exists as an opportunity to showcase artists who are working with radical ideas and addressing the current state of affairs, rather than using their practice as a means to escape it.

Join us at Panoply Performance Lab to witness work by the following artists. We will have beer and INCEN*DIARIO's jalapeño margaritas available for a donation.

$5 suggested donation at the door (all proceeds will be distributed equally among artists and event workers).

☼ ☼ ☼ ☼ ☼ ☼ ☼ Live Performances: ☼ ☼ ☼ ☼ ☼ ☼ ☼

XUPSTAR [USA] "Phase Transition Activity #6: Stretching" (durational)

EDWARD SHARP [USA]

KELSEY LUDWIG [USA] "The Miraculous"

JODIE LYN-KEE-CHOW [Jamaica /China/USA] "One out of Many One People"

☼ ☼ ☼ ☼ ☼ ☼ ☼ ☼ Video-Performances: ☼ ☼ ☼ ☼ ☼ ☼ ☼ ☼

AIDA MORENO [País Vasco, Spain] "Artistas, Funcionarios y Virtuosos"

ALESSANDRO FONTE & SHAWNETTE POE [Italy / Poland - Germany] "Reverse"

ELLEN MUELLER [USA]"Chief Resource Management Officer Series: Brushing"

GILLIVANKA KEDZIOR & BARBARA FRIEDMAN [France]"Red Pole Dance"

HECTOR CANONGE [USA/Argentina] "Coquitos"

MURIEL MONTINI [France] "Constellation"

RAFAEL SCHLICHTING & CLÁUDIA CÁRDENAS [Brasil] "Depositivo cinematográfico: La beauté des images"

OREEN COHEN [Israel] "White Wash"

ZACHARY FABRI [USA/Jamaica/Hungary] "Forget me not, as my tether has been clipped"

☼ ☼ ☼ ☼ ☼ ☼ ☼ ☼ Exhibition Description: ☼ ☼ ☼ ☼ ☼ ☼ ☼ ☼

INCEN•DIARIO is an ongoing, traveling event series of live art and video-performance. The curation process includes an open call and select commissioned works. INCEN•DIARIO exists as an opportunity to showcase artists who are working with radical ideas and creating revolutionary performances. This instance of INCEN•DIARIO continues in the spirit of the first. The work addresses political issues, injustices, gender roles, historical incidents with lasting effects, current events, class warfare, and so on. The pieces selected for INCEN*DIARIO II incorporate elements of fitness, stamina, repetition, and endurance as a means to communicate labour and physical struggle as a gateway to the fantastic.