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EotW: Participatory Systems for "daver" and "crossoffice"

Wednesday, February 15th 2017

USER: "daver"
MODE OF ENGAGMENT: User as participant in PPL system
Location 3B/B3: HOW SO AFFECTIONATELY/AFFECTIVELY HOW SO?

USER: "crossoffice"
MODE OF ENGAGEMENT: User as participant in PPL system
Location 3A/A3: HOW AFFECTIONATELY/AFFECTIVELY HOW?

***USER SCORES***

"daver"
B: How so operating?
3: affectionately 50%

This inquiry is en-sembling realities
Generating immaterial 'non-affective' affects
By developing attention-forming methodologies
First, (de)liberate definitions of actuality

"crossoffice"
A: How operating?
3: affectionately 70%

This inquiry is as-sembling realities
Generating a qualified operation
By developing qualification methodologies
First, (de)liberating a set of informations

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Operation is a part of opera-of-operations "Embarrassed of the Whole" Phase II: https://www.facebook.com/events/1705386496438467/
http://www.panoplylab.org/eotw

CASINGS and TREATMENTS

Saturday, September 26th 2015

"CASINGS AND TREATMENTS," the second of a two-part performance event series curated by René Kladzyk as part of No Wave Performance Task Force, centers its inquiry around how the masculinized body is housed and modified in the performance of gender identity. Through interrogating masculinity in its material manifestations via human bodies, a group of performance artists will enact gender construction as process, co-constitutive relation, and ephemeral ideation.

Behold, artist IVY CASTELLANOS completes actioned tasks exploring the masculine gendered body, while VINCENT TILEY investigates restraint, control, and desire operationalized through the gaze, the skin functioning as artifice and sensual site of action, as Vincent hovers "rather motionless in a suit that is also a painting that is also a hammock that is also a sex swing." ANDY KUNCL engages with movement, sensory stimulation, and inanimate/animate constructive interaction in collaboration with a posse of movers, COLBY CANNON plays with protection, power, and muscle growth, while STUDIO ROSSI BRODY enacts a crime-scene investigation TV show in "Man Forensics," operating as social scientists, comedians, and erotic provocateurs.

IVY CASTELLANOS
http://ivycastellanos.com/

VINCENT TILEY
www.vtiley.com

ANDY KUNCL
andykuncl.com

STUDIO ROSSI BRODY
studiorossibrody.tumblr.com

COLBY CANNON
colbycannon.com

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Postdance 3X3

Thursday, June 6th 2013

20130516-192037.jpg
TYKE Dance "The Bloodgates" *X* Rene Kladzyk "CROWNWORC" *X* Sura Hertzberg Dancers "(italics) This is Art?"

MORE INFORMATION:

The Bloodgates is an attempt to take some of the invisible elements of dance performance that make it so 'magical' in the moment - such as heat and breath and sweat and struggle - and make them visible, yet queered, troubled, abstracted, gruesome. Lighting Design: The Vigilante Design Group Sound Design: Erik Lawson Dancers: Greta Hartenstein and Sophie Sotsky

CROWNWORC performance draws from practices of trance and possession that Kladzyck observed while on an artistic residency at a pilgrimage site in the Atlas Mountains (Morocco), and utilizes movement, sound, and dynamic costume to explore relationships of trust, weight and ethereality, intimacy among strangers, and plurality within.

(italics) This is Art? is an exploration of many aspects of art. It breaks open the relationship between the audience and the performer, it bridges the gap between art and stream of consciousness, it provides a diorama of solo choreography. This work is all at once challenging, humorous, self reflective, and debilitatingly human.

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