Michael Reinsch
Jennifer Williams
Florence Nasar
Uniska Wahala Kano
why did i start to do this? how do i stop? how do i convince you/cause you to begin? how do i get you to stop? rubber chickens, politics, dirt, human hair, strobe lights, meat.
Jenna Kline
(http://jelliebeers.com/)
Florence Nasar
(http://florencenasar.com/)
Ivy Castellanos
(http://www.ivycastellanos.com/)
Future Death Toll
(http://futuredeathtoll.com/)
Cesspool
(https://cesspool.bandcamp.com/)
Performances 8-11pm
Bot-questions throughout
The unfinished basement
exhausting, personal, and otherwise subterranean actions
noise, noise, noise
Contraception is a way of protecting the body, fraught with legal, emotional, and psychological history. What do we need that is often not allowed us? What do we bring into our bodies, into the country, across borders, late at night? These performances deal directly with contraception and historic and present-day contraband, items, supplies, objects forbidden, human rights surrounding a woman's body, touching on the female body, its needs, multiplicities, and experiences, as contraband itself, ported by the self perceived by others. Five artists perform performancy in the context of these considerations and via matrices of their own conceptual construction:
$5-15 suggested donation goes all to the artists.
Beverages lovingly provided by Brooklyn Brewery.
