You are here

EotW: "ElaineThap," "aevi and me"

Saturday, February 18th 2017

USER: "ElaineThap"
MODE OF ENGAGEMENT: Collaboration with PPL
Location 3B/B3: HOW SO AFFECTIONATELY/AFFECTIVELY HOW SO?

USER: "aevi and me" 
MODE OF ENGAGEMENT: Usership interpreted and Presented by PPL
Location 1C/C1: HOW (DE)LIBERATELY HOW TO ARTICULATE AFFECT(S) HOW?

USER SCORES:

"ElaineThap"
B: How so operating?
3: affectionately 70%

This inquiry is en-sembling realities
Generating an operation affecting each other
By developing methodologies for identification and causation of affects
First, assemble (de)liberation schemas for affective bodily states and activities

"aevi and me"
C: Operating to what affect?
1:deliberately 90%

This is an inquiry into cause
Generating methods for effective anticipation of affects
By paying attention to intentions
First, improvise in relation to contextual elements

+++++

Operations as part of opera-of-operations "Embarrassed of the Whole" Phase II: https://www.facebook.com/events/1814272978840146/
http://www.panoplylab.org/eotw

PF: Speculative (de)Structures

Elaine Thap Terms and Conditions 2013 Four Hours of Emotional Baggage Photo Credit; Sandrine Schaefer
Thursday, September 29th 2016

Connie Kang, Tingying Ma, Jue Wang: FUTURE HOST

Heather Kapplow
http://www.heatherkapplow.com/

Shawn Escarciga
https://vimeo.com/shawnescarciga

Elaine Thap
http://www.elainethap.com/

Sophia Mak
https://tisch.nyu.edu/art-public-policy/alumni/2016/sophia-mak

Is this a political system or a casual pet adoption? Is this a social scene or the burst crust of the earth? Is this an invitation or a threat? A welcome mat or roadkill? A ritual or a human right? Five artists speculate, the curtain sways in a slight breeze, the door swings open under the weight of the excruciating emotion but we are all already here...somewhere, someone is playing a small drum. Here, let me help you get that splinter out.

PERFORMANCY FORUM: BLEEDTHROUGH

Saturday, January 16th 2016

The sounds through the door, your energy into the bodies of those around you, the wound through the bandage, the the outside, inside, and vice versa, past into present, other realms into this one, one day into the next: how do we know when we are "performing"? Personal lives+"artworks" (un)related/(de)saturated/(dis)associated/(de)compartmentalized:
Allie Hankins (http://www.alliehankins.com/)
Elaine Thap (http://www.elainethap.com/)
Lucy Lee Yim (http://www.cargocollective.com/lucyyim)
Geraldo Mercado (http://geraldomercado.com/)
Ivy Castellanos (http://ivycastellanos.com/)

Subscribe to RSS - Elaine Thap