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Kaia Gilje

Embarrassed of the Whole

Wednesday, February 1st 2017 to Tuesday, February 28th 2017

EotW is concerned with (such) holistic totalitarianisms and the generally extractive+coercive use of "analytics" and "choice-determinant" systems, situating and then practicing some critically-related/anti-holistic operations which rupture, puncture, and otherwise make hol-y some deontic subjecthoods and failures to completely objectify, functionalize, and make mimetic particular (how human?) ways of becoming.

"Embarrassed of the Whole" was devised over the course of a couple of years as an investigation into relationships between conceptual holism and totalitarianism/colonialism/universalism/digital and corporate (+ otherwise non"somatic") "personhood"+++: investigations were then used to construct a hypothesizing online survey to be taken by Users, now Userships/lines of inquiry generate and rhizomatically discourse throughout and across February 2017 as practical philosophy presenting, performed in collaboration with, as directed by, and operated by PPL and/or the following Users/operators/"real" persons and "artificial intelligences."

PERFORMATIVE OPERATIONS (BY “USER”*)

Friday, February 3, 8pm: “Christen”
https://www.facebook.com/events/1848546328690708/

Saturday, February 4, 3pm-6pm: “Nina Isabelle” 8pm: “samuel,” 9:30pm: “Geraldo”
https://www.facebook.com/events/1323608584396553/

Sunday, February 5, 8pm: first iteration of “johannagilje”(several times "as occurence")
https://www.facebook.com/events/1406193926118379/

Monday, February 6, 8pm: “aliftig,” 9pm:“elizabethalamb”
https://www.facebook.com/events/146798169157108/

Tuesday, February 7, 8pm: "diane"
https://www.facebook.com/events/240844742992029/

Wednesday, February 8, 8pm: “Sumo”
(TBA)

Friday, February 10, 8pm: “huckjackhexjar”
https://www.facebook.com/events/256603244762792/

Saturday, February 11, 6pm-8pm: “LukeJM,” 9pm: “Tsedaye,” 10pm: “jgladstone”
https://www.facebook.com/events/576694809188754/

Tuesday, February 14, 4pm-8pm: “lovelovelove,” 9pm: “belel”
https://www.facebook.com/events/1444100785600753/

Wednesday, February 15, 8pm: “daver,” 9:30pm: “crossoffice”
https://www.facebook.com/events/282119198871419/

SEE SECOND FACEBOOK EVENT: https://www.facebook.com/events/1814272978840146/

Thursday, February 16, 8pm: “Jessica”
Friday, February 17, 7pm: “Valera,” 8pm: “Zhen,” 9pm: “Aranzazu,”10pm: “raziaisthenameofmycat”
Saturday, February 18, 4pm-6pm: “ElaineThap,” 8pm: “aevi and me”
Wednesday, February 22, 7pm: “jamieburkart,” 8pm: “BenjaminL/T-S,” 9pm: “Adrift Dismantled”
Thursday, February 23, 8:00pm: “Violistakaren,” 9pm: “IV,” 10pm: “Sierra.Elena”
Friday, February 24, 8pm: “Valerie Kuehne,” 9:30pm: “It’s Me,” 10pm: “2sad4dismrkfrshspnch,” 11pm-exhaustion: “abandonedtires”
Saturday, February 25, 7pm: “ilzost,” 8pm: “imageobject,” 9pm: “cafecafè”
Sunday, February 26, 5pm-unknown: “dahvvv”
Monday, February 27, 8pm: “lolotrashbo,” "gantttt"
February 28, 8pm: “tinyfruit”

*Users who selected option "F" generate likelihoods and may or may not be "performed" in forms recognizable as "performance" at some point or throughout the month: "Rae" “Christine O” “BluMom” “laureljay” “hollowobscenity” “cat” “linzdrury” “MatthewGGannt” “Linda” “me” “ultradella” “pmqwerty” “Cbxtn” "Queena"

Performance days are "pay what you can" and open to the public, check back here for daily starting and halting times. BYOB.

We are not whole / You Complete Me / use me / this is not my system / we are not chaotic, we are chaos / we the (un)incorporated

embarrassedofthewhole.online

Post-Dance Symposium

lo bil: https://youtu.be/FlZMij9igTs "Another Way to Organize the Archive"  Still from video documentation by Adriana Disman from the end of "The Clearing" an 11-hour performance installation that took place on November 1, 2014 as part of the 7a*11d International Festival of Performance Art. — with Lo Bil.
Thursday, November 17th 2016 to Sunday, November 20th 2016

POST-DANCE SYMPOSIUM, NYC 2016
November 17-20

Conceiving of bodilies both individuated and social as theoretical and practical resources, we collectively and individually approach ways in which culture be (re)claimed, (re)made, (re)formed, and (re)paired by humyns.

DEADLINE FOR PAPERS/SCORES/TEXTS (for simultaneous online publication: November 15, response texts/papers/scores, November 30)

***SYMPOSIUM SCHEDULE: ALL OPEN TO THE PUBLIC***

THURSDAY, NOV 17: DEPART

7pm-11pm: Performances by Mariana Valencia, Zavé Martohardjono, Ni’Ja Whitson, Shawn Escarciga
Matters: appropriation/sampling/mash-up/remix/etc: de-identification, ritual, rights/rites, cultural tradition + queer futurism
Problems: To whom, to what, and how does this body belong? How do we depart without detaching? How are we located in time and timing locating? How are we contextually situated and situating contexts? How are we culturally “framed” and framing “our own culture?”

FRIDAY, NOV 18: DECAY

6pm: warm-ups and public improvisation session
8pm-11pm: Performances by Lorene Bouboushian, Alex Romania, Kaia Gilje, QUEEFCORE
Matters: disgust/abject/substances and mess/emotional expression, hardcore existentialism and disciplinary decay, aesthetics, play, and practical methods for anti-dance-y dance
Problems: What becomes between improvisation and proposition? How do we communicate without using dominant codes and languages? How are we concrete and abstract, affected and affecting, able and unable?

SATURDAY, NOV 19: DESIRE/DESIGN

3pm-7pm: DESIRE
Matters: academia, institutions, and "success," alter-systems, space and species, mutualism, money and madness, desire and survival, de-materializing realities and re-modeling economies of attention
Problems: What are the pros and cons of capitulation, participation, and subjection? How are we navigating our motivations and emotions? How do we interface with and de-face power paradigms and hegemonic orders for value and survival?

3pm: panel discussion with Rebecca Ferrell, Jumatatu Poe, Andre Lepecki, Clarinda Mac Low, artists from the other days. 

7pm: warm-ups and physical shake-outs

8pm-11pm: DESIGN
Performances/Presentations by: Jessica Pretty, Charlie Maybee, Rebecca Ferrell, lo bil, Alexander D'Augostino and Noelle Tolbert
Matters: “choreography” and choreographed/choreographing bodilies, stagings and social arrangements, spectators/witnesses/audiences vs. participants vs. makers (role-playing), vessels, vehicles, and events
Problems: For whom do we make “dance” as such and why? What are the ethics of participatory modes? How do we make decisions and dare to anticipate, practice, and enforce con-sequences?

SUNDAY, NOV 20: DEMAND

4pm: Post-dance: A Primer 
Presented by: Lindsey Drury and No Collective (You Nakai, et al.)
Matters: “post-dance”
Problems: Is the term “post” a mere prefix to indicate we are over it? What is this “it” we are supposed to be over with? If we are over dance, why do we still cling to that old name? Wouldn’t “post-it” be a better name? And even if we stick to dance, can’t we do better than resorting yet again to the facile formula of [dance + x (e.g. performance art, discourse, theory, etc)] or [dance - x (e.g. choreography, dancer, etc)]? Do we even know what we seek to leave behind? What is a body? What is movement? What if “post” was a verb or a noun? Where do we go from here, where have we been, and who is this “we” that we all talk about? 

5pm: Presentation by yon Tande

7pm-11pm: Performances and presentations by Ilona Bito, LJ Leach, Brandon Fisette, yon Tande, Amanda Hunt
Matters: objectlessness/deontology, spectacle vs. situation, mindbody, theory and authority, anthrocenticity, and auto-ethnography
Problems: How are the affects and consequences of our movements? Who are we in time and context and how do our practices create, demand, and inform change? What are the demands of this demonstration, this public assembly, this strike against daily ongoing performativity?

Organized by Leili Huzaibah, Esther Neff, Rebecca Ferrell, Lindsey Drury, and participants.

SPECIAL AGENTS

Saturday, April 30th 2016

FINALLY. a chance to *almost* fulfil the X-files Reboot bill raincheck. In other words: a damn fine night of spooky happenings, unresolved sexual tension, and interplanetary takeout.  

The Alien Autopsies Covered In Cat Hair and the LSD Vending Machine Ensemble From Colubus OH:
"some kind of extraterrestrial business-dad performance ensemble with synthesizers, saxophones, garbage instruments and leafblowers"

Michael Foster/David Grollman
http://michaelfostermusic.blogspot.com/
https://www.youtube.com/watch?v=6IYlcX9-1_w

WILD TORUS
http://wildtorus.tumblr.com/

Kaia Gilje
the one, the only, she's immortal

Define Solitary Confinement
Alex Cohen & Valerie Kuehne
https://dreamzoo.bandcamp.com/album/define-solitary-confinement

Device controlled: NIA NOTTAGE//FRANCES YEOLAND

Thursday, April 7th 2016 to Sunday, April 10th 2016

Device controlled. A collaboration between two artists (Nia Nottage and Frances Yeoland).

THURSDAY, APRIL 7: Opening, 8pm
FRIDAY, APRIL 8: Activations of the installation, 8pm: Geraldo Mercado, Ivy Castellanos, Amanda Hunt, Kaia Gilje
SATURDAY, APRIL 9: Activations of the installation, 8pm: Thea Little, David Ian Griess, Ayana Evans
SUNDAY, APRIL 10: Video/Film, 6pm

A constructed platform for experiencing physical sensation that is foreign to everyday physical perception. Hold/release, hold/ release, hold/ release; an apparatus for tension control.

NIA NOTTAGE
Performance artist | Detroit
nianottage.com
Romance lives in the gap between reality and the dream world.
You don’t have to be miserable to be deep, relationships with objects teach us a lot about ourselves, libido is only demonized b/c it’s a powerful tool for haptic touch that can inform corporeal understanding and cause alternate perceptions of happiness. Nia Nottage is a performance artist.

FRANCES YEOLAND
Visual artist | Sydney
francesyeoland.com
Human attempt at understanding is about ownership, and labeling is a symptom of this failure. This work is a composition of material that asks for meaning from the viewer based on its appearance of logic and rationality. It's is an absurd puzzle of familiar, tactile and industrial materiality. It is a system of symbols taken out of context, reframing our perception of value and meaning.

The Brooklyn Experimental Song Revival

Tuesday, December 15th 2015

this past fall : the super coda & naked roots conducive hosted the first edition of the brooklyn experimental song carnival, featuring over 20 artists performing within & against the space between sound and narrative. there was catharsis. there was shock. there was gut-splitting beauty & probably grace.

december 15th : we continue the search for new organs, catharsis, some god-forsaken nexus, the proverbial ghost-in-the-machine. you know, songs & shit.

Natalia Steinbach
violinisms/eurydice
http://nataliasteinbach.com/

Alex Cohen/Michael F. Dailey Jr.
drums/AMA
http://www.alexcohendrums.com/live/
https://www.facebook.com/birdorgan

Julia Santoli
soundbodies/alchemy
http://juliasantoli.net/

Lynn Wright
folklore/desolation
https://www.facebook.com/andthewiremen/

Leah Coloff
celloscopes/dialectics
http://leahcoloff.com/

Lorene Bouboushian/Kaia Gilje/Valerie Kuehne
peanut butter/celine dion
https://www.youtube.com/watch?v=bmBzNDGqCNI

http://www.thesupercoda.com/

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